Hi again! It has been a while since I updated this so thanks for your patience. It’s not because all my free time is spent on Pinterest, I promise.
Starting in September I rented studio space downtown close to where my kids go to preschool. It was glorious being able to drop them off and then walk to work, making jewelry for hours on end without the distraction of the computer or housework (ahem) until my alarm told me to go back and pick the kids up. I showed you a little of my Sedona line, and after that I did a grouping with Swarovski-set components (like this focal) as part of my Facets collection.
I am still working with colored stone briolettes for my Facets collection as well, and I hated to see this pair of cluster earrings go…
|Purple, pink, and orange!
Also I can’t get enough of those big honkin’ Chinese crystals, so I did some long necklaces and wire rings featuring those for the holiday season.
But after Christmas change was in the air. The pedestrian mall was torn up for an infrastructure upgrade and facelift, and it has been interesting to watch all the work going on just outside my studio.
|Cutting down “my” tree, piece by piece
|Along my commute
I decided not to renew my lease downtown after my spring collection was delivered to the shop
, but instead move my tools back home again (for now).
It actually isn’t because of the construction. This is the time of year when I get to focus on other things! For example, my jewelry friend Judy and I recently played with CopprClay, a copper version of PMC that will likely be paired with turquoise in my Sedona collection in the fall.
|I love the torched patina on the left one
I love making jewelry, but I don’t tend to wear the jewelry I make. Part of it is because none of my jewelry is sacred, so even if I love something after creating it, eventually it makes its way into my inventory. Another reason is to avoid what I call the Amway Effect: My friends know I sell things as a business, so if I tried to sell products to my friends they might wonder whether I am only friends with them because they are potential customers. So if I wear my jewelry it could be seen as advertisement, and my friendships are way more important to me than my sales. (I have friends who actually give me a hard time for not advertising in this way; I can’t win.) But my sales are just fine without nagging my friends, and if they want to buy something they know where to shop. And then I can indulge in other people’s jewelry and support some of my fellow artisans.
Enter the wrap bracelet a la Chan Luu.
I want one, but haven’t found anything like it locally. On Etsy they cost more than I want to spend, especially since I know how much the supplies cost (or don’t cost, as it were). So the other day I pinned a tutorial and collected the supplies. Still in Sedona mode, I chose chocolate brown leather and a silver button, but then I couldn’t decide if I wanted turquoise or bronze beads, so ultimately I decided to make a triple wrap using three different colors of Czech glass. Not as ambitious as the quint-wrap pictured above, but still more interesting than a single.
So here and there I’ve stolen some precious kid-nap time to create this thing. About three beads into the thing I was kicking myself for starting with a triple wrap, which meant my sewing thread was about 9 feet long. Finally as I got to the third color of beads my thread was a reasonable length and I felt like it was easier. I imagined Vietnamese women laughing at me as they cranked these things out for Chan Luu. Now I know why the price of wrap bracelets on Etsy is so high, and after putting this much time into it I’m definitely wearing it around for a while.
This morning was cool and crisp, sunny with a few puffy clouds. Gorgeous! Perfect fall weather. It was my kids’ first day at preschool, and I am renting a space nearby for a studio so I don’t have to drive home between drop-off and pick-up. !!!
As other parents were taking pictures and hiding tears I made a quick exit and couldn’t wipe the smile off my face. I walked by the coffee shops to say hi to other preschool moms. (There will be plenty of time for good coffee; I was already wired.) I walked to Simply Charming Boutique to check on my Sedona collection and show them some new graduated turquoise strands I bought. (They are my middle-man, so they know the customers and I don’t. I like getting a read on things when I can.) I love being downtown! Finally I unloaded a box of stuff at my studio, only to realize I forgot to pack my pliers which is like forgetting my hands. I had been a little disappointed at the thought of being cooped up inside on a day like this anyway, so I drove home and enameled beads with my torch.
|Blurry, but you can see some of the colors
For the enamel nerds: I’m testing colors from my sample pack from Rio of Milton Bridge transparents, and I really like that Ruby transparent bead toward the center. And over to the right there’s Autumn Brown. And several of the others have Autumn Brown layered over something bright (Turquoise, Nile Green from Thompson, etc.) Some of the deeper green-blues have Mallard Green in them, another MB I like.
We didn’t have much cool weather over the summer (my bench is in the garage) so it was nice to have a chance to experiment with color layering and bead-gripping techniques. Torch-fired enameling is tricky for me because I don’t want the bead to rotate on the mandrel, but I do want to get it off easily when I’m finished. And now I can work on that because it’s the most wonderful time of the year.
When I don’t know what to make, or I don’t have enough of any one component to make a whole necklace, I make what I call a sampler. It’s not really a sampler per se, more like a charm quilt where every square is made from a different scrap of fabric. But to me “charm necklace” still conjures up images of plastic charm necklaces from the 80s so I use the term “sampler.”
I digress. I’m on a turquoise-copper-silver kick right now, so the latest addition to my Sedona line is this necklace.
It started with this pendant, which is a section of copper water pipe with a nugget of turquoise pinned on silver wire.
Pinning, in this case, is using a torch to ball the end of a wire, trapping something on it. If you use a lame torch like the one on my bench that is really meant for caramelizing the top of crème brûlée, you might burn your stone before balling the wire. Not that that ever happens to me. (Note to self: Get the oxy/acetaline Little Torch out of the shed because it would be awesome at pinning.) I have a habit of losing interest in a necklace once I finish the pendant, and then I just stick it on a chain and call a day. Either that or my kids wake up from their naps and my creative streak is curtailed. Anyway, I thought this pinned pipe pendant deserved something more than a chain, something more artful and creative, so I created the sampler necklace. But then it became so busy and visually heavy that the pendant was better off being showcased on a chain. And so I made a different pendant, slightly larger and plainer, for the sampler.
This picture was taken in my studio, and I purposefully didn’t crop out my tan line to prove (to my mother who reads this) that I have a dress on. See that little swatch at the bottom edge? Also in the background you can see my card catalogues, which make awesome bead-strand storage. (My local library in Delaware went digital around the same time I was making jewelry there, so I taught beading at summer library camp in exchange for their old card catalogues.)
The next pieces in the Sedona series…
|Etched copper caps
|Raku glazed ceramic
The last pair is my favorite so far, inspired by what Kristi Bowman did with her copper components. The copper components have oak leaves and acorns, and sterling silver rivets attach it to the turquoise wheels.
It took me as long to photograph, post, and describe those earrings as it did to actually make them. This is why I am so grateful to outsource my selling. That being said, I’m building up my inventory for a fall grouping at the shop, which means these will be sitting in my studio until then. If you’re dying to have something, let me know. Earrings are around $28-36 to give you an idea.
A word about Sedona… Although featuring copper and turquoise, I don’t intend for this line to look “southwestern.” The turquoise isn’t the bright, clear stuff from Sleeping Beauty mine that is commonly found in inlaid Native American jewelry. There will be no silver feathers, squash blossoms, or scalloped bezels. I wanted it to have more of a “western” feel… My inspiration includes horses, their leather tack and silver stirrups, a little bit rustic and rugged.
Here’s a question for the lurkers: Would you wear copper earwires? For example the raku glazed ceramic earrings above have only copper so I think it might look odd to put sterling hooks on, but I think some people are unable/afraid to wear anything but gold or sterling (which is silver+copper).
Stay cool out there and THINK FALL!
Just talking about the copper and turquoise had me itching to make some. So after the kiddos were in bed last night I had a go. I have several designs swimming around in my head, and I actually have some paper sketches I made in a frenzy after I *dreamed* about this. (My dreams tend to vaporize the moment my feet hit the floor.) Dreaming about jewelry is more of a sickness, really. It doesn’t go away at night like so many people’s jobs.
Enough talk, here are some pictures.
|Copper, bronze, turquoise nuggets
|Torch-enameled flower buds, copper plate
|Raku ceramic, boro lampwork, copper
Hi, gang. I know it’s been a while since I checked in, but it’s summer and I have even less bench time than usual. But it’s summer! And it has been so mild and beautiful. What better time to think about fall?
Here’s what’s on my bench… (It’s Bead Table Wednesday.)
Copper and turquoise. No, that’s not turquoise, but it was sitting with my photo props and is making its internet debut. I actually don’t know what stone it is; I inherited my great aunt’s rock collection and I think it was in there. She used to polish her own cabs — very cool. I remember digging through her dops and tumbled rocks and such when I was a little girl, which probably planted seeds for my love of making jewelry.
Anyway, what is the copper part of that picture? I don’t take time to do a lot of sketch-planning in my jewelry making, but I did sketch out some things to cut out and hammer and play with for my fall line, which I’m calling Sedona. I’m planning to use hammered copper, plenty of turquoise (and other teal things), some verdigris patina on copper, and oxidized silver. Like this…
|Leather, copper, sponge coral, turquoise, c. 2007
Alas, my studio is across the hall from my sleeping kids so I haven’t done much hammering lately. It forces me to plan more, which is a good thing.